Pure Sixties neo-Blakean ecstasy! Pioneers, beats, Cambridge poets, Michael X, John Arden, Lee Harwood (everyone bar the Liverpool Poets)
Genuine attempt to map all varieties of British poetry. Don't bother with the counter-revolutionary 1985 edition!
The first version of the Cambridge School, plus friends
John Muckle was reponsible for this anthology, with separate sections for Black British Poetry, Quote Feminist Unquote Poetry, A Treacherous Assault on British Poetry ("Cambridge", "London" and other poets publishing since 1960s) and Some Younger Poets (the new generation of the "linguistically innovative poets" – mainly London-based)
A wide range of poets, including some performance poets (and short selections of a number of "Forties" generation poets also)
A deliberate attempt to represent a range of new and generally unanthologised poets. Reviewed by Andrew Duncan on Great Works.
Famous for its presentation side-by-side, on a chronological basis of Bob Cobbing next to Philip Larkin, Lee Harwood next to Seamus Heaney, Veronica Forrest-Thompson next to Liz Lochhead, this book gives the best all-round view of British poetry since the Lucie-Smith anthology, and over a wider time-scale
A superb gathering of what a huge number of contemporary British poets (largely) are doing with this inescapable and foundational form.
There is much detailed discussion of the institutional manoeuvrings in this famous episode. But it also acts as a very good introduction to the history of the 'poetry network' in which 'avant-garde' or 'experimental' writing is dominant, its present status, and to the actual writerly qualities of the poetry. This is the book which acts as the most accessible introduction to avant-garde British poetry (if you don't get too bogged down in the Poetry Society minutes!)
.Relevant titles include:
Apart from their publications of poetry, other relevant series & titles include: